You are just the fingertips of something

Saturday, March 21st, 2026 02:58 pm
sovay: (Lord Peter Wimsey: passion)
[personal profile] sovay
The afternoon's mail brought my contributor's copy of Not One of Us #86, containing my poem "Northern Comfort." I wrote it out of my discoveries of the ghost-ground that has been directly underfoot all my life and longer, from King Philip's War to Pomp's Wall, and this administration and its murderous terror of history. It shares a page and an issue of emptiness with a precisely targeted incantation by Gwynne Garfinkle as well the equally hollowing fiction and poetry of Kris Schokrowsky, Penny Durham, Carsten Cheung, Jennifer Crow, and more. I almost referred to the covert art by John and Flo Stanton, obscured by shattered webs of negative space or the rust-light of abandoned industries. Subscribe! Contribute! Make the right kind of strangeness in this world. I am off to South Station to collect one north-traveling seal.

movies: The Revenant and Stalker

Saturday, March 21st, 2026 11:58 am
snickfic: (Buffy Willow)
[personal profile] snickfic
The Revenant (2015). A wilderness guide (Leonardo Dicaprio) left for dead after being mauled by a bear goes on a revenge quest against the trapper (Tom Hardy) who killed his son.

As suggested by that summary, this extremely whumpy, if you're into that, to a point well beyond realism. Somehow our guy Glass struggles through total wilderness for tens of miles with myriad open wounds and a broken leg, and rather than dying of deprivation, exposure, or infection, he actually gets better. By the end of the movie he's barely even hobbling anymore. Also, the people in this movie spend so much time tromping through and even immersed in barely-melted icewater that I expected them to either die of hypothermia or lose some toes to frostbite in the first twenty minutes.

This is also an incredibly linear movie. There are no surprises here, no unexpected decisions or developments. No depths of character are revealed. It's also incredibly male-centric. The only female character with lines is Glass's wife, who's dead before the movie even starts, and the only other woman on screen is a Native woman-shaped Macguffin who gets raped on screen, then rescued, but never gets to speak. Even worse than that, to me, is that we get nothing of Glass's relationship with his half-Pawnee son at all. Other than simmering resentment over unjust treatment, we don't have any sense of the kid's personality or Glass's dynamic with him, which makes for a weaker movie and also makes it hard to believe in the movie's pretensions of giving a shit about the effect of European colonization on Native peoples.

I watched this for the scenery, and I will say it was great on that front. Lots of snowy crags, excellent! I also really enjoyed Will Poulter and Domhnall Gleeson, who round out the cast.

Cannot believe this beat Mad Max: Fury Road for best picture.

--

Stalker (1979). Wikipedia summary: a man called a stalker guides two clients through a hazardous wasteland to a mysterious restricted site known simply as the "Zone", where there supposedly exists a room which grants a person's innermost desires.

This is a Soviet movie by director Andrei Tarkovsky, who also did Solaris. If I'd realized that, I could have better set my expectations for this movie. I watched it because the premise gave me cosmic horror vibes and specifically because it felt like a precursor to a bunch of more recent cosmic horror that I've loved or at least loved concepts from, including Jeff Vandermeer's Southern Reach trilogy and movies like A Dark Song, Malefique, YellowBrickRoad, and Antrum: The Deadliest Film Ever Made. (If you're not familiar, this a hilariously idiosyncratic list of widely varying quality, lol. There's a reason you probably haven't heard of most of those.) Maybe, I said, this is the original source of these other things I love!

Unfortunately, while this does promise many horrors, it delivers none of them. Very possibly it was an inspiration for those other things, but in the sense that other people watched this and were like, "okay but what if this were actually a horror movie."

The first hour or so is my favorite; I was genuinely shocked when the sepia filters of the real world give way to full color in the Zone, and there's some great tension as our stalker navigates the Zone using methods that hint at incomprehensible dangers. However, the longer we go without encountering any of those dangers, the harder it is to believe in them. By the time we finally arrive at the possibly magical room, I was more than half convinced that the dangers were all imagined, and the glimpse of two decaying skeletons came too late to change my mind. And then! We DON'T EVEN GO INTO THE ROOM. NO ONE GOES INTO THE ROOM. *flips over table*

Tarkovsky was not trying to make the movie I wanted to watch; he was much more interested in big philosophical questions and really long takes, and I gather this is considered an all-time classic for those reasons.

This was apparently an adaptation-in-name-only of the Strugatsky Brothers' novel Roadside Picnic, which I happen to have already have on hold at the library for unrelated reasons. I'm interested to see how it compares.
starandrea: (Default)
[personal profile] starandrea
Things my Gen Z High School students said while playing The Oregon Trail (youtube short by JahnifestDestiny)

The best thing about this video is this description of the game by a commenter:

"Oregon Trail: The game that unites students with the realization that they are NOT prepared to travel all the way to Oregon in a car, let alone a covered wagon in the 1850s."

The second best thing about this video is that there are eight more popular comments before someone says:
"'my Gen z high school students' says the Gen z teacher"

And the following classic exchange, which still made me laugh:

"The Oregon Trail isn't 40 years old I was born in 1985."
"As someone also born in 1985, have I got news for you..."

Depression is winning today

Saturday, March 21st, 2026 02:30 pm
kiya: (jade)
[personal profile] kiya

Rat



The poem says
Hope is a sewer rat
Adapted
For survival

Despite the plague
And the filth
And the hate

And I
Got the t-shirt
The one with the rats
That says
"You will not
Exterminate
Us"

That they
Resurrected
For rats
Like me

But I am
Sick
Of gnawing
A way
Out

And so tired
Of the stench.

Challenge # 494: Rest

Saturday, March 21st, 2026 06:25 pm
badly_knitted: (Drabble-Zone)
[personal profile] badly_knitted in [community profile] drabble_zone

This week's challenge is:


Rest


Reminder of Rules

Entries should be 100, 200, or 300 words exactly, excluding titles and headers.
Please place the body of your entry behind a cut.
Tag with the appropriate Challenge, Fandom, Type, and Ratings tags. If a tag for your fandom doesn't exist, leave a request on the Tag Request post and I'll create the tags you need. You can request as many fandom tags as you want.
You don't need to use the challenge word or phrase in your drabble, though you can if you like.
Each challenge ends when the new challenge is posted, but if you're a few days late that's still fine.

NEW RULE: DOUBLE AND TRIPLE DRABBLES ARE ALSO ACCEPTED ;)

Have fun!




FAKE Double Drabble: Suite Dreams

Saturday, March 21st, 2026 06:16 pm
badly_knitted: (BSP 5 - Dee & Ryo)
[personal profile] badly_knitted
 


Title: Suite Dreams
Fandom: FAKE
Author: 
[personal profile] badly_knitted
Characters: Dee, Ryo.
Rating: PG
Setting: After Like Like Love.
Summary: Before Ryo moves in, Dee wants to get a new living room suite.
Written Using: The prompt ‘Suite’.
Disclaimer: I don’t own FAKE, or the characters. They belong to the wonderful Sanami Matoh.
A/N: Double drabble.
 
 


Saturday, March 21st, 2026 08:12 pm
hagar_972: A soldier sitting with his head between his knees at sunrise (Addendum to the Vision of Peace)
[personal profile] hagar_972
Speaking from the privileged point of having advanced alerts and a bomb shelter and not living up North where tanks drive in the streets, the worst part about the Intermittent Missile Attacks is the boredom. Seriously. I'm tired, the sirens are down-wearying, and Outside is mostly shut down because having more than 50 persons in a space is forbidden in case of IMA.

I have a job that keeps going and I don't have small children (school is out, because nobody wants to try and herd a school's worth of kids into a bomb shelter several times a day) so seriously, I'm Very Very Lucky.

I'm also bored.

Doctor Who Drabble: Twilight Time

Saturday, March 21st, 2026 06:05 pm
badly_knitted: (Eleven & TARDIS)
[personal profile] badly_knitted
 


Title: Twilight Time
Author: 
[personal profile] badly_knitted
Characters: William Pratt, Eleventh Doctor.
Rating: G
Written For: Challenge 1010: ‘Crepuscular’ at 
[community profile] dw100.
Spoilers: Nada. Crossover with Buffy the Vampire Slayer.
Summary: Writing poetry is difficult, but William is always willing to accept help.
Disclaimer: I don’t own Doctor Who, or the characters.
 
 


Double Drabble: Vicious Creature

Saturday, March 21st, 2026 05:56 pm
badly_knitted: (Owen - Meh)
[personal profile] badly_knitted
 


Title: Vicious Creature
Author: 
[personal profile] badly_knitted
Characters: Owen, Ianto.
Rating: PG
Written For: Challenge 909: Dog, at 
[community profile] torchwood100.
Spoilers: Nada.
Summary: This time the Rift has delivered an animal Owen can’t handle.
Disclaimer: I don’t own Torchwood, or the characters.
A/N: Double drabble.
 


 

2601 / Fic - The Pitt

Saturday, March 21st, 2026 01:55 pm
siria: (the pitt - dana depart)
[personal profile] siria
Death leaves Us homesick, who behind
The Pitt | Javadi, Gen | ~1100 words | Episode fic for 2.11.

(Also on AO3)

It wasn't that she'd never seen death. Victoria had worked in a Tier One Trauma Centre for months. She'd seen death. )

Moment of Silence: Nicholas Brendon

Saturday, March 21st, 2026 11:59 am
ysabetwordsmith: (moment of silence)
[personal profile] ysabetwordsmith
Actor Nicholas Brendon has passed away. He is most famous for playing Xander on Buffy the Vampire Slayer, but also appeared on Criminal Minds and Private Practice.


Carry on the Work

5 Ways How To Steal The Show As The Comedic Relief In A Drama

Acting -- how to articles from wikiHow

Acting in Horror Films: Why You Need It And How to Pull It Off

Coming Soon: May Trope Mayhem 2026!

Saturday, March 21st, 2026 12:56 pm
duckprintspress: (Default)
[personal profile] duckprintspress
A graphic on a pale-blue background with most of the text blurred out with a ripple effect. Legible text reads "May Trope Mayhem! A Multi-Fandom and Original Work Creation Challenge 2026 List COMING SOON! The Duck Prints Press logo is in the lower right corner.

The Sixth Annual May Trope Mayhem Starts Soon!

What is May Trope Mayhem? It’s Duck Prints Press’s annual multi-fandom/original work creation event! Our creators have shared their favorite tropes, and we’ve picked 31, one per day of May, to make an awesome, fun, diverse list of prompts to inspire your creativity. Come May 1st, we invite everyone to create a ficlet, artwork, gif set, photo montage, or whatever else they feel like, inspired by the trope of the day. We’re open to any fandom or no fandom at all, original characters and old faves, any ship (yes even that one) or no ship or reader inserts or, or, or… If you can imagine it, we’d love to see you create it!

Check out past May Trope Mayhem’s…

No changes are being made to the rules for 2026, so you can get the gist by checking out the past challenges.

The 2026 May Trope Mayhem List will be released on April 2 2026. Follow us on the social media of your choice to make sure you don’t miss it!



Fingers say what?

Saturday, March 21st, 2026 11:10 am
brithistorian: (Default)
[personal profile] brithistorian

I talk with my hands. This amuses A. to no end: She's the one who's part-Italian and yet I'm the one who can't talk without gesticulating. Whether I'm talking about sending an email (fingers typing on a keyboard), sending a fax (hands palm-down, fingertips guiding the paper into the machine), or chopping vegetables (left hand moving the knife up and down, right hand advancing the the vegetable toward it), I don't even think about it, but my hands accompany my words.

Yesterday, we got some small cucumbers and I was talking about using some of them to make oi muchim (a Korean cucumber salad with thinly sliced cucumbers in a gochugaru-seasoned dressing). I was talking about slicing the cucumbers, and she looked at my hands and asked "What's that?" I looked at my hands and saw that my right hand was flat, palm-up, while my left hand was palm-down, in a claw grip, moving back and forth over my right hand. And then it hit me: When I make oi muchim, I don't slice the cucumbers with a knife. I slice them with a mandoline. And without even thinking about it, my hands were doing to the correct motion for the action I would be doing.

I don't even notice that I'm doing this until she points it out, so I don't know if I could stop it if I tried.

Dear Worldbuilding Exchange writer:

Saturday, March 21st, 2026 04:22 pm
eye_of_a_cat: (Default)
[personal profile] eye_of_a_cat
Thank you so much for making something for me! I have some overall likes and DNWs below, and then some fandom-specific ideas and things I like about the canon and characters. Please only consider all this as potential suggestions put out there in case you find them useful, though, and write/make whatever best calls to you. So long as it avoids my DNWs I am sure I will be happy; I love seeing other people's takes on characters and relationships I like and don't require them to follow my own ideas or headcanons. Treats always welcome!

Shortcut links within this letter:
General:
likes; NSFW likes; DNWs; opt-ins.
Fandoms:
Babylon 5; Andor ; Silmarillion; LOTRRings of Power; Star Wars: original and prequel trilogies

General likes )
NSFW likes )
DNWs )
Opt-ins )




Babylon 5 )

Andor )


The Silmarillion )
LOTR )


The Rings of Power )

Star Wars: Original and Prequel Trilogies )

Saturday, March 21st, 2026 10:22 am
skygiants: Rue from Princess Tutu dancing with a raven (belle et la bete)
[personal profile] skygiants
I've seen two Boston Ballets in relatively quick succession over the past month, both combo programs featuring two pieces; the first was "The Rite of Spring" (Elo's, not Nijinsky's) paired with Pite's "The Seasons' Canon," and the second was a premiere, Stromile's "The Leisurely Installation of a New Window," paired with Ashton's "The [Midsummer Night's] Dream."

Breaking with the actual curation of the productions, I'm going to talk about "The Rite of Spring" and "The Leisurely Installation of a New Window" together because they both came first in their productions, they had kind of similar vibes, and I experienced similar feelings of mild disappointment about both of them that were not technically the fault of the productions. I was really excited about "The Rite of Spring" because I wanted to see some ballet dancers do a dramatic ritual sacrifice, and I was really excited about "The Leisurely Installation of a New Window" because I wanted to see some ballet dancers slowly install a window. Instead, both of these pieces were kind of abstract explorations through dance of the Relationship between the Individual and Society, and I think both would have been enjoyable for fifteen minutes but ran a bit long at half an hour.

The description for "Window" in the playbill reads:

Eighteen dancers inhabit the work through distinct but interdependent roles. The Seeker stands close to tradition, moving with discipline and clarity. The People operate within shared systems, attentive to both order and its quiet tensions. The Reformers introduce disruption, not as spectacle, but as pressure applied from within.

This did help me understand better what was going on in the dance, as the Seeker stalked around holding a book and then portentously passed it off to some dueting Reformers, but also made it feel a bit like a LARP that I was not participating in. On the other hand Reeves Gabriel of The Cure was There and Participating in Ballet Music (and every bit of marketing wanted you to know that Reeves Gabriel Of The Cure was There and Participating in Ballet Music) and occasionally the music would get very thrillingly electric guitar and you'd be like "Hello, Reeves Gabriel of The Cure!" So it's not that I didn't have a fine time, I just would have been okay with somewhat less of that time.

However, after these very mildly disappointing openers, I loved both "The Seasons' Canon" and "The Dream" very much! The Seasons' Canon is, justifiably, a known Boston Ballet showstopper -- a huge piece with a huge cast, and as you guys know I often have trouble with a piece that is not trying to tell me a story but this piece is truly just Humans Make Big Shapes and it's riveting. Could not take my eyes off it. The trailer here gives a bit of a sense but of course is not that much like seeing it Actually On Stage, but it does let you see one of the things I found most striking about the piece which is how extremely non-gendered it is -- everyone on that stage is dressed identically in pants and nude tank that makes them look topless, the whole corps looks like one and moves like one and there is nothing to distract you from that. Really, really cool experience.

And "The Dream" -- look, I'm a simple soul, and what I have discovered is that I love Ashton's silly panto-esque ballets. They are fun and they are funny and I love it when people get to be funny in dance! Dance jokes are good actually! Titania ballet-hopping her way towards Bottom in a way that manages to be simultaneously fairy-like and hilariously sultry, the arguing lovers constantly picking each other up and pirouetting a partner firmly Away from them Thank You, the rude mechanicals!! we wanted more rude mechanicals but I was so glad we got what we got. A+ Midsummer Night's Dream, would see again.
duckprintspress: (Default)
[personal profile] duckprintspress
https://www.youtube.com/watch?v=6e0b54hH2JU

Today is World Poetry Day! I celebrated by reading the first three parts (of many) of I Sing the Body Electric by Walt Whitman. If you’ve ever wondered why people describe Whitman as a queer poet… just listen, or you can go read the poem yourself here.

I’d love to hear about your favorite queer poems and poets! Do share!

Here’s the ID and transcription of the part I read aloud for this recording:

(Video ID: a white person with short reddish hair and gold-rimmed glasses sits before a book case and reads a poem aloud. /end ID)

1

I sing the body electric,

The armies of those I love engirth me and I engirth them,

They will not let me off till I go with them, respond to them,

And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?

And if those who defile the living are as bad as they who defile the dead?

And if the body does not do fully as much as the soul?

And if the body were not the soul, what is the soul?

2

The love of the body of man or woman balks account, the body itself balks account,

That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,

But the expression of a well-made man appears not only in his face,

It is in his limbs and joints also, it is curiously in the joints of his hips and wrists,

It is in his walk, the carriage of his neck, the flex of his waist and knees, dress does not hide him,

The strong sweet quality he has strikes through the cotton and broadcloth,

To see him pass conveys as much as the best poem, perhaps more,

You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the folds of their dress, their style as we pass in the street, the contour of their shape downwards,

The swimmer naked in the swimming-bath, seen as he swims through the transparent green-shine, or lies with his face up and rolls silently to and fro in the heave of the water,

The bending forward and backward of rowers in row-boats, the horseman in his saddle,

Girls, mothers, house-keepers, in all their performances,

The group of laborers seated at noon-time with their open dinner-kettles, and their wives waiting,

The female soothing a child, the farmer’s daughter in the garden or cow-yard,

The young fellow hoeing corn, the sleigh-driver driving his six horses through the crowd,

The wrestle of wrestlers, two apprentice-boys, quite grown, lusty, good-natured, native-born, out on the vacant lot at sun-down after work,

The coats and caps thrown down, the embrace of love and resistance,

The upper-hold and under-hold, the hair rumpled over and blinding the eyes;

The march of firemen in their own costumes, the play of masculine muscle through clean-setting trowsers and waist-straps,

The slow return from the fire, the pause when the bell strikes suddenly again, and the listening on the alert,

The natural, perfect, varied attitudes, the bent head, the curv’d neck and the counting;

Such-like I love—I loosen myself, pass freely, am at the mother’s breast with the little child,

Swim with the swimmers, wrestle with wrestlers, march in line with the firemen, and pause, listen, count.

3

I knew a man, a common farmer, the father of five sons,

And in them the fathers of sons, and in them the fathers of sons.

This man was of wonderful vigor, calmness, beauty of person,

The shape of his head, the pale yellow and white of his hair and beard, the immeasurable meaning of his black eyes, the richness and breadth of his manners,

These I used to go and visit him to see, he was wise also,

He was six feet tall, he was over eighty years old, his sons were massive, clean, bearded, tan-faced, handsome,

They and his daughters loved him, all who saw him loved him,

They did not love him by allowance, they loved him with personal love,

He drank water only, the blood show’d like scarlet through the clear-brown skin of his face,

He was a frequent gunner and fisher, he sail’d his boat himself, he had a fine one presented to him by a ship-joiner, he had fowling-pieces presented to him by men that loved him,

When he went with his five sons and many grand-sons to hunt or fish, you would pick him out as the most beautiful and vigorous of the gang,

You would wish long and long to be with him, you would wish to sit by him in the boat that you and he might touch each other.



Saturday, March 21st, 2026 10:13 am
ashelterofpages: (birds13)
[personal profile] ashelterofpages
So, a while back S learned that there was a capybara cafe in our area. We always meant to go, but never got around to doing it for various reasons. Then, when she started making real steps toward moving, we decided to go when she got an interview for a job.

Well, that happened pretty damn quick. Then again, so did everything with her moving. She signs for a house at the end of the month.

Anyway, today is capybara day! :D We're going this afternoon and I'm so excited!

I might have pictures, but I'm not entirely sure on that. However, because I was thinking about images, I did get fresh tattoo pictures!

Tattoo pictures! )

Had to give up

Saturday, March 21st, 2026 06:47 am
cactuswatcher: (Default)
[personal profile] cactuswatcher
It was the second day of triple digit temperatures outside. It didn't get up to over 80 inside the previous night, but I couldn't sleep. Had to give up and turn on the A/C in the afternoon, yesterday. It didn't actually run for an hour or two. The house wasn't yet warm enough inside for that to happen. But it ran for the third time at sundown. The house is well insulated. Not having the house hold in heat during the evening helped a lot. I slept well. It's very early for these high temps outside. Running the A/C for a few extra weeks is expensive, but by the middle of April I'd need it anyway. I tell myself at least I won't be running the furnace much till next November.

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Erika

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